Well, isn’t that lovely? Earlier today, the above picture was posted to Instagram by one Dan Kay, a TV producer who worked on Series XI and/or XII (as evidenced by this excellent picture of a bunch of lads playing Goldeneye on the N64 in the Green Room). It’s since been tweeted, on an account set up seemingly at the request of UKTV’s press team. So I guess they want us to talk about it…
If thinking about the model work on the new series of Red Dwarf make your anus involuntarily clench, then you’re probably a) reading the correct site and b) all too aware of the myriad fuckeries of the Series X model production and are thus rightly nervous about what comes next. While that’s a very negative way to start this piece, we do actually now have some nice positive news to ponder on that front.
As post production probably persists we’re starting to get an idea about what the new look model set-up will be. Richard Naylor, presumably as part of some sort of mental breakdown, actually gave Gazpacho Soup the time of day with the following deets…
Thanks to Thomas Evans in our forum, and Jeannette via email, for alerting us to this report in the ever brilliant Daily Express. It’s all based on this interview from ScififantasyNetwork, where Danny confirms the live show idea that Doug floated at Dimension Jump last May. There’s no new information here, but it’s nice to know that it’s still on the table. Personally, I find myself skeptical about the prospect of this idea ever getting off the ground, purely due to the logistics of finding a time where all four of them are available to tour the country, but where it would be a better idea to do this than film a new series. I don’t think we’re any closer to it happening just because Danny has mentioned it, but fingers crossed.
We’re sad to note the death of the hugely influential comedy producer and commissioner Gareth Gwenlan, aged 79. And on the same day as Reg Grundy, who was in many ways the real life equivalent of Kylie Gwenlyn. Yes, despite Gwenlan not having directly worked on Red Dwarf, we feel the need to mark his passing due to the way the show immortalised him, both on screen and in behind-the-scenes folklore, as being intrinsically linked to the programme’s fledgling fortunes in those early days.
As well as being the inspiration for the producer/director of Androids, the same episode, Kryten, sees Lister use his name as insult, calling the eponymous character a “total Gwenlan”. The reason for Rob and Doug’s apparent lack of affection for the man was that, as the BBC’s Head of Comedy between 1983 and 1990, he had turned down Red Dwarf several times. One notorious meeting is recounted by Rob Grant on the Six of the Best CD:
Big changes are afoot at Baby Cow, the production company that currently co-produces Red Dwarf alongside GNP. Co-founder Henry Normal is stepping down after sixteen years, Steve Coogan is stepping up to fill the gap, and most intriguingly, BBC Worldwide has gained a controlling stake in the business. It’s an amusing twist of fate that Auntie Beeb is once more involved in the production of our favourite show, but the big question remains: how is all this going to affect Red Dwarf?
With Dwarf understandably going quiet since the last audience recording, maybe it’s time to check in on the world of Brittas. When we last “reported” on things, a revival was “in development”. Let’s hear what Chris Barrie has to say:
“Regarding the possible return of The Brittas Empire, which caused a moment or two of excitement last year, things have gone very quiet indeed – in fact totally silent. I believe a script was being developed with a view to recording a special or pilot at some stage. So if you are a journalist, don’t bother emailing me about an interview as I would prefer to wait until there is something concrete to talk about and that doesn’t look likely at the moment.”
Oh. Cock it.
Something to ponder: the BBC’s sitcom season this summer contains a number of revivals, which Brittas would have slipped neatly into. The fact that the project hasn’t managed to capitalise on this really isn’t promising, unfortunately.
Those with slightly longer memories will recall that, at DJ last year, Doug mentioned that he was planning an episode where “everyone was Kryten” causing much excitement/hand-wringing/wailing and gnashing of teeth (delete as appropriate) from fandom. Now, in an interview conducted at MCM Liverpool, two chaps by the name of Robert Llewellyn and Danny John-Jules have pretty much confirmed that this episode exists. There’s no going back now…
Yo. Welcome to the first John’s Newsround for very nearly five years. Let’s see if I can remember how to do this shit, shall we? Some of the stuff that’s happened over the past week:
THE LAST RECORDING: Last Sunday, Robert Llewellyn posted a little update about the final episode of Red Dwarf XII, in which he reveals that at the time of writing, the cast hadn’t actually seen a final script yet. (The readthrough ended up happening on Tuesday.) Speculation below then, as to whether this is an unusual state of affairs for Red Dwarf or not, although seeing as both The Last Day and Out of Time were late scripts, it’s also debatable whether it even matters. I’m far too busy wondering about why the update was posted on Robert’s Fully Charged site rather than his main blog. And where did his main website go, anyway? Face it: you’ve missed me talking about anything other than the main fucking point, haven’t you?
…until the last recording of Red Dwarf XII. Ticket holders for episode six have been sent the following message from Doug, via Lost In TV:
We’re so sorry to have to do this, but due to circumstances out of our control, we’re going to have to move the live audience recording of the final episode of Red Dwarf Series XII to Wednesday 9th March 2016.
Unfortunately 2 of our cast members suffered illnesses earlier in the filming block, meaning we lost 3 days of filming. There are so many elements to coordinate when filming a complicated show like Red Dwarf that it’s extremely difficult to pick up lost filming days within a schedule. As it’s transpired, because of availability of guest cast amongst a plethora of other reasons, the only way to bring all those elements back again and film the scenes we need to film, is to pick up those lost days on the 2nd-4th March; meaning we have to move the recording of the final show to the week after.
I know a lot of audience tickets have already been allocated for Friday 4th March, and I know many of you will be disappointed, but we hope that you can all join us on Wednesday 9th March instead. If you are unable to, we’ll make sure you’re absolutely first on the list for audience tickets for any future series. We’re so sorry to let you down, but we know you deserve two brilliant brand new series’, and in order to achieve that as best we can, we’ve had to make this difficult decision.
…since we rounded up some sneaky set pictures that have been tweeted ahead of the studio audience recording of Red Dwarf XII episode four. Blimey, episode four of six, or ten of twelve overall – we’re past halfway on this particular series, and in the last quarter of this mega production block. As usual, information on this week’s installment is thin on the ground, other than the fact that behind-the-scenes documentarian Nathan Cubitt has been “on location” with his fat lens and focus marks.
We’re therefore grateful to Craig Charles for his increasingly lax attitude towards his non-disclosure agreement. Three more tiny set teasers have been tweeted forth since our last update, starting with a new look at something Craig originally tweeted back in November…