We hope by now that you’ve hung up your stockings on the wall, your family has arrived, and that you’ve ascertained whether or not you have the room to spare inside. But before your granny proves herself to be a musical hypocrite, take a moment to look back on the past twelve months. It’s been a strange one by all accounts. Brexit. Trump. A cull of beloved celebrities. The rise of the far right. Terror. Fear. Division. Prejudice. Aston Villa being relegated. Frankly, I’m not convinced we’ll all survive the last seven days.
Which is why we’ve chosen Christmas Day as the perfect time to focus on the positive, and look back on what has been a much better year in the world of Red Dwarf than it has been for anyone in the actual world. Six brand new episodes recorded. Another six brand new episodes aired. A mobile game. New merchandise. Live DwarfCasts. The dramatic increase in usage of the word “cloche”. It’s definitely been a busy one, so settle down for a comprehensive look back on everything that happened and how we covered it.
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Yes, is the resounding answer to that question, and today’s TOS update reveals that our prayers have been answered before we even began praying. This is not an announcement that soundtrack albums are being planned, or that they’re a long term ambition, or even that they’ll be coming out soon – completely out of the blue, *four* albums are available to download right this very second, covering almost the entire history of Red Dwarf, with a fifth to follow once XII has been aired. Split across the four are a selection of cues from every series bar VIII and BTE (which is reasonable, considering there wasn’t any new, non-library music in those two series), personally re-mastered and remixed by Howard Goodall himself.
This is obviously amazing, particularly as there’s a mixture of used and unused cues, some of which have never seen the light of day before. And of course, given the lack of isolated cues on the Series X and XI DVDs, this is the first opportunity to hear any clean versions of that material. Not only that, but it seems from the description that the cues have been compiled into a series of individual tracks – again, hand-crafted by the god-like genius that is Howard himself – for a better listening experience. Even from the brief previews on the store pages, this is clearly well worth the cover price.
It’s not quite the perfect package – the cover art is clearly not the work of a professional in that field, and it’s a little bit fiddly to have to make four separate purchases, considering this is a digital-only affair that’s not constrained by a maximum length of any given physical medium. But bloody hell, this is a surprise, and a very welcome one at that. Absolutely incredible. And the title Eine Kleine Ductmusik may well have justified the existence of that episode.