DwarfCast 89 – Stoke Me A Clipper Commentary

With just over a month until Red Dwarf XII debuts on Dave (and most likely just under a month until it debuts on UKTV Play), what the world needs right now is another discussion about Series VII. Luckily, we’ve picked one of the better episodes of that particular run as the subject for our latest commentary. Get ready to update your spreadsheets at home, and tick off Stoke Me A Clipper.

Join Cappsy, Danny, Ian and the Fan Club’s Jo Sharples (who, by the way, has recently announced the dates for the next Dimension Jump), as we discuss such diverse topics as the perils of a cold opening for a small child, Craig Charles’s secret past as a Leeds United supporter, the similarities between Ace Rimmer and Ford Prefect, another early role on Red Dwarf for Richard Naylor, plastikkrokodil and why Lister’s tie is so shiny. Plus, we offer up a possible solution to a plot hole that’s been bugging Cappsy for over twenty years.

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Red Dwarf VII: The Early Drafts

Twenty years ago today, Red Dwarf VII debuted on BBC Two. This has made a lot of people very angry and been widely regarded as a bad move.

Red Dwarf had been away for over three years, having previously managed to average out as an annual event for six series. The delay was mainly caused by three monumental behind-the-scenes events: Chris Barrie deciding to leave the show; Craig Charles being held on remand on a charge from which he was ultimately cleared; and Grant Naylor splitting as a gestalt writing entity, leaving Doug in sole command of the show. Big changes were also afoot on-screen, with the change to single-camera, audience-free shooting, the addition of a film effect, a move to a comedy-drama format, and Rimmer’s place on Starbug being taken by Chloe Annett as a version of Kochanski from an alternate universe.

In many ways, it was twenty years ago today that Red Dwarf changed from what it was then to what it is now. The reason those first six series still exist in a bubble is that they were all made in broadly the same circumstances. The cast and crew may have altered over the years, and the production may have moved from Manchester to Shepperton, but these changes took place slowly and naturally; to paraphrase another comedy that debuted in 1997, it was evolution, not revolution. With Series VII, that changed – a conscious effort was made to make things different from the previous series, and it was against a backdrop of production problems and uneasy compromises. Red Dwarf lost its momentum, and it’s been fighting to get it back ever since. It’s only now that it’s starting to feel more smooth and assured; Series XII will be the first time in years that there hasn’t been a raft of changes since the previous series, and that’s only because they were shot back-to-back.

Opinion remains mixed on the merits of Series VII. The G&T staff are pretty unanimous in our disapproval, but elsewhere there are plenty of fans who enjoy it for what it is, regardless of how different it is from what came before, and even some who hold it in the same regard as the first six series. Regardless of your position, what’s interesting is how it came together, and the developments that took place prior to the episodes reaching the screen. To help with the extra workload caused by Rob’s departure, and the series containing two more episodes than usual, Doug brought additional writers on board for six of the eight initially-planned episodes. How this process worked has always been a great source of speculation, and to celebrate the twentieth anniversary of the show’s first big comeback, that’s what we’re investigating today.

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DwarfCast 69 – Epideme & Nanarchy Commentary

You heard. It’s two for the price of one, although double nothing is still nothing. Danny Stephenson and Ian Symes continue their odyssey to watch the shit bits so that the rest of the team don’t have to, with occasional interjections from guests Jo Sharples of TORDFC, and Tom Pyott. We tackle the loose two-parter of Epideme and Nanarchy, discussing such diverse topics as the merits of Gary Martin, the practical applications of nanotechnology and recently proposed changes to disability benefits, as well as revealing the fate of the Epideme communicator prop, and proposing a new animated spin-off. We also get a lot of basic facts wrong, get confused about what’s happening on-screen and go quiet for a few moments at a time fairly frequently. So it’s not very good, but at least it gets another quarter of Series VII out the way.

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DwarfCast 62 – Beyond A Joke Commentary

In a rare departure for Ganymede & Titan, this is an episode commentary that involved preparation and research. Thankfully, all the work was done by Jo Sharples of The Official Red Dwarf Fan Club, who acts as our resident Jane Austen expert as she joins lazy, feckless G&Ters Jonathan Capps, Danny Stephenson and Ian Symes. So join us as we do our best to ignore what’s actually happening on screen, in favour of discussing Pride & Prejudice, the elements from the book and various adaptations that make it to the episode, and which P&P characters equate to which Dwarf characters. All this plus the usual brand of swearing and snideyness.

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Xtended Revisited: Ouroboros

In Red Dwarf VII, three episodes are represented by two separate yet equally important versions: the original broadcast episodes, and extended versions released on VHS in 1997. These are their stories.

This must be some kind of record for G&T. Eight years ago, I wrote an essay detailing the differences between the broadcast and Xtended versions of Tikka to Ride, with the promise the rest of the episodes would follow. I thought it was about time to follow through on that promise. I may not be fast, but I get there in the end. I THINK HOLLY SAID THAT IN AN EPISODE OF RED DWARF.

So, we turn to Ouroboros Xtended. As before, each relevant section is transcribed, with Xtended material presented like this. There then follows any technical notes on the sequence, and finally my opinion as to how well the additional material works. If you’ve hung around on this site for longer than five seconds, you can probably guess what my opinions are likely to be, so please feel free to skip those bits if reading me rant on about VII makes you want to come round to my house and smash my head in with a golf club.

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High & Low: Special Effects

Of all the difficult tasks I have faced whilst writing Ganymede & Titan, this has to be one of the most difficultistestist. Even more difficult than writing an article which doesn’t manage to be spectacularly rude about somebody for very little reason. How the bloody hell do you manage to boil down the quite staggering amount of amazing special effects work for Red Dwarf into one easy-to-digest Top 10 list?

Answer: with a lot of kicking, screaming, self-doubt as to the worth of my entire life, and general dissatisfaction. Hopefully that’s sold this article as something well worth reading. Let’s get on with it, shall we?

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Xtended Revisited: Tikka To Ride

It seems odd, given our ludicrous obession with the minuate of obscure production details, that we haven’t really covered the Xtended episodes. Maybe the ghost of Ian turning into a gibbering wreck after dissecting one episode of Remastered hung over the whole idea.

Let’s fix this, shall we? And let’s start at the very beginning – with Tikka To Ride Xtended.

A word about the format of this article – each excised section is transcribed, with Xtended material presented like this. There then follows any technical notes on the sequence, and finally my opinion as to how well the additional material works.

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