Behold! Former G&T regular feature High & Low, in which we compile both the top ten and the bottom five of a particular Red Dwarf topic, is back, just three years and ten months after the last one. That’s about average for a second-class fansite. We’re no longer attempting to make it a monthly occurrence, but we fancied bringing back the format as an option to use from time to time. And as we not only promised back in 2015 that the next edition would be Holly Scenes, but even went to the trouble of getting Hattie Hayridge herself to pick one of the entries, we’d better finally crack on with it…
“Despite some last-minute shooting by Rob and Doug after the wrap party, Demons & Angels was felt to be the weakest show of the series by Rob and Doug, and so was placed 5th – the traditional place for what you think is your worst episode. (Despite D&A being great.) Nobody cares if you’ve got a duff ep if you’ve had four great ones before it, and end the series with a blinder.”
Over the years on here, we’ve often idly mentioned the idea that the worst episode of any given comedy show should be put in the fifth episode slot out of six. In fact, we’ve mentioned it so much that it’s almost become a truism, a cliché… and yet we’ve never really examined where it came from, or actually looked at whether it applies to Red Dwarf in any concrete way.
Hello. I am John Hoare, and I am going to take a look at whether this actually applies to Red Dwarf in any concrete way.
Any self-respecting Red Dwarf fan has a few standard facts at their disposal. The first recording dates for Series 1 were cancelled due to an electrician’s strike. Robert Llewellyn was electrocuted on his first day at work. Meltdown was put back in the episode order due to worries about the Gulf War.
Slotting in among these standard set of facts is that the village scenes in Emohawk – Polymorph II were shot on an abandoned set for a series called Covington Cross. And that’s… kinda it. That is The Fact, done, ticked, off we go.
I don’t think that’s good enough. Let’s take a proper look.
Oh boy, where to begin? This is comfortably the largest Red Dwarf release ever, containing not only 71.2% of all episodes ever (or Series I-VIII, as most people refer to it), but all the extras from the original DVD range, including The Bodysnatcher Collection. Not only that, the episodes have been restored, upscaled to a high-definition resolution, and given what’s been officially referred to as an “extensive” colour grade. It’s a release that was rumoured for a very long time before it was finally announced, and one that’s only now arriving some three and a half months later than the original release date.
Our attitude towards the release during that time has ranged from ambivalence to open hostility, but now that it’s finally here, is it indeed the ultimate collection of Red Dwarf – the definitive version of the episodes, packaged with all the extras you’d ever need – that it has the potential to be?
The release that is both long-awaited yet not particularly hotly anticipated is finally happening this coming Monday, the 14th January. However, it’s become clear from both social media and our forum that some lucky individuals have started to receive their pre-orders already, mostly ones from Zoom if you want to try and get in on that action. Our review will be along in due course (not promising any dates, as none of us have received our copies yet), but in the meantime, please use this thread to jot down your thoughts and share your insightful opinions.
(Incidentally, contrary to our previous reporting, we can now confirm that the bonus DVDs for each series do actually contain everything that was on their equivalent original release discs – including the original menus!)
So it looks like we are getting the music cues and talking book chapters after all, so it would seem the controversy and debate on that score was in vain. Ho hum.
It’s 3pm on the 25th December, and that can only mean one thing – the whole family gathering around for that old Christmas tradition of reading the Ganymede & Titan round-up of what’s happened in the world of Red Dwarf over the preceding twelve months. While 2018 was certainly a special year for the show in terms of its numerical significance, it was also the first year in four where no brand new episodes were either recorded, transmitted or both. As such, a quieter year for us, and so we’re eschewing the month-by-month format to instead give an overview of the big news and events that occurred, and a festive selection box of some of our own least shit features that we posted when there were no big news and events to keep us occupied.
Our final monthly trip into the television archives this year is somewhat of an unusual one, in that it’s not something that’s very deep in the archives, and it isn’t strictly speaking television. Nevertheless, given that the Red Dwarf connection is so niche, and the specific subject matter so esoteric, we’d probably have chosen to highlight it even if it wasn’t us that was sort-of responsible for it happening in the first place. Let us explain.
Whenever we see journalist and broadcaster James O’Brien, which has happened increasingly often in the last few years since he’s become the foremost non-racist phone-in host on British radio and found social media fame for his polite but ruthless take-downs of the Brexiteers who ring him up, the first thing we think of is his appearance in the Red Dwarf A-Z back in 1998. Specifically, his assertion that Data from Star Trek wouldn’t have existed without Kryten, the chronological impossibility of which we’ve been talking about since at least 2003. So when we saw that James was an upcoming guest on the excellent RHLSTP (rhlstp!), we sent host Richard Herring a request. Then we forgot all about it, and then the episode came out, and it’s safe to say our request was noted.
Hello everyone. When we last met, I guided you through a history of three wall sections used in Red Dwarf in 1988. This went down disturbingly well. You fucking weirdos.
With this in mind, let’s continue our in-depth examination of Red Dwarf‘s sets in its first couple of series with one of their most famous oddities: the disappearing and reappearing Captain’s Office. This article was intended to be a more general look at the Drive Room set, but believe it or not I have found enough to say about this single topic to make a full standalone piece. We’re not dumbing down our material. It’s always been this stupid.
As before, we need to take this one in recording order, rather than broadcast order.
With the Bluray release just over a month away, we now have confirmation of exactly what’s packed in to those 19 shiny discs. Firstly, with regards to the episodes themselves, the TOS update is keen to emphasise that the extent of the re-mastering this time around is to upscale the video, clean up any damage and polish up the colour grade, rather than making any significant changes to the overall show. They note that there’s no change “to the feeling of each unique season”, so VII will keep its film look but none of the others will have it added. Bless, they know we’ve been burnt before with re-mastering, so they’re just trying to reassure us.