Along with the Quarantine Commentaries, one of my favourite pieces of lockdown-based entertainment has been No More Jockeys, a joyous and frequently hilarious parlour game from the minds of comedian and novelist Mark Watson, comedian and poet Tim Key, and comedian and psychopath's assistant Alex Horne. I subsequently discovered that the game first appeared as a spin-off from a short-lived BBC Four panel show devised and hosted by the trio, We Need Answers. I further discovered that all sixteen episodes of the parent show are on YouTube, and that the second episode of the first series featured as a contestant none other than Robert Llewellyn.

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We bring you news of two good causes involving two much-loved figures from Red Dwarf fandom.

Firstly, the family of our dear departed friend, former G&Ter and TOS editor Seb Patrick are campaigning to have a memorial bench installed overlooking Crosby Beach, one of Seb’s favourite places in the world. They’re prepared to foot the bill, but the council have refused, claiming that people don’t want a bench in that location. This is nonsense, as evidenced by the overwhelming support the family have received in a petition to urge Sefton Council to reconsider. We have the support of the official site (you know it’s serious when they update and it’s not a Friday), Robert Llewellyn, Danny John-Jules (this one also retweeted by Craig Charles), Doug Naylor and Norman Lovett, plus many other senior Dwarfy figures who have pledged their support by signing. This bench would not only honour the great man and provide comfort to his family, but also improve the facilities in the area. If you haven’t already, please take a few seconds to add your name to the petition, and share the ever-living fuck out of it.

And secondly, we were very sorry to hear that the brilliant artist Colin Howard has been suffering from multiple sclerosis, and now requires a powered wheelchair to help him regain his mobility and freedom. Naturally, this doesn’t come cheap, and so his wife Michelle has set up a GoFundMe to raise the ten grand cost. As well as being a regular at the last few Dimension Jumps, Colin is responsible for such iconic Red Dwarf artworks as the Beat The Geek cover, Danny’s Tongue Tied single sleeve, and many a Smegazine cover, my personal favourite being The Many Faces of Lister. Now he needs our help, so please donate if you are able to, and if you can’t help financially (which is totally fine), you can do your bit by spreading the word.

G&TV Special: Holly on Tomorrow's World featured image

The latest edition of our now officially sporadic archive telly feature is something truly special for once: a rare in-character appearance by one of the boys from the Dwarf on a different programme, unseen for over twenty years.

On Wednesday 3rd March 1999 (the day before the seminal Back In The Red (Part Three) first aired), Norman Lovett popped up as Holly on Tomorrow's World, the BBC's flagship technology programme that ran from 1965 to 2003, to discuss AI with host Philippa Forrester. He was there to launch their Turing Test experiment, to see if chatbots could convincingly pass as human. He returned two weeks later for the show's annual Megalab live event, briefly cameoing in character before appearing as himself to take part in the test, alongside Sir Terry Pratchett and Jaye Griffiths from off of Bugs.

Never repeated, and not included on the Series VIII DVD for whatever reason, this has been one of the rarest and most elusive pieces of Red Dwarf ephemera - it was even mentioned in a forum thread about unattainable Dwarf-related media as recently as two weeks ago. But now, just over 22 years later, here are the relevant moments from both episodes.

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Today’s TOS update is an exciting one, featuring as it does both a rare interview with Rob Grant, plus a PDF copy of his Into The Gloop script, giving non-Holly Hop attendees an opportunity to experience the co-creator’s first Dwarfy material since the mid-90s. Now that it’s out there officially, we’ll get to work on a proper review, but in the meantime it’s well worth reading the accompanying interview, as Rob discusses working with Paul Jackson and Ed Bye, tailoring the script for the cast of fans, and – most intriguingly – his desire to do more.

Indeed, it’s one question in particular that’s raised our eyebrows, regarding future Dwarf projects. Rob essentially gives an answer similar to his statement at Holly Hop, but with one additional detail:

There are lots of ideas on the table – a stage show, a movie, a new series, spin-offs. Last week we were told of an approach to do an American version again. We’d love to do any and all of them. We want RD flying out of our buttskis. We want to take the diminutive scarlet one on another trip to the stars. Watch this space.

Lol. Of course, just because there’s been an approach, it doesn’t mean it’ll happen. I’m sure lots of people start conversations about working on Dwarf-related stuff all the time, but we never hear about them. There’s no reason to believe that this has more chance of coming to fruition than if I was to “approach” GNP with an idea to make a Red Dwarf breakfast cereal. But just imagine if this is the ultimate outcome of everything that’s been said over the last few weeks. A new Red Dwarf USA for the 2020s.

Excuse me while I have a humiliating panic attack under the scanner table.

Today was the first day of Holly Hop, and despite the presence of Rob Grant and Paul Jackson, two of the three remaining directors of Grant Naylor Productions, we really didn't expect this week's rather shocking news to be mentioned, especially considering the Fan Club team politely requested of attendees that it wasn't brought up during Q&As throughout the day.

However, it was clear from very early on in their appearance, as they prepared to commentate on White Hole alongside their usual cohort Ed Bye, that the pair wanted to address the topic. So they both did, and then some. Here is an exact, verbatim transcript of what they said, starting with Rob Grant:

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By rights, Dimension Jump XXI should have been and gone last May, roughly a year and a half after the previous event. Plan B was to do it this very weekend, but obviously that can’t happen either, so instead the Fan Club have put together the next best thing – Holly Hop, a virtual con you can attend from the comfort of your own living room. And it’s quite the weekend in prospect. Barrie! Llewellyn! Lovett! Hayridge! McDonald! Dexter! Hawks! Clark! Grant! Bye! Jackson! Quizzes and videos and stuff! And of course, a live table read of a brand new Red Dwarf script written by Rob Grant!

There will be much to discuss, so do so here, if you like. The two day event starts at 10:30am today (Saturday), and tickets are still available at a ridiculously cheap price for this amount of entertainment. Let’s face it, there are multiple reasons we all need a nice distraction right now, and this should be just the thing.

This is probably the most unpleasant news story we've had to cover in the more than eighteen years this site has been going. Not least because it involves linking to the Daily Mail, who today report that Doug Naylor is suing Rob Grant and Grant Naylor Productions, following Doug's removal from the board of the company last year. To save you from clicking onto that shithole, the relevant parts of the article are below, and below that is our initial reaction.

[Doug Naylor] has just initiated a dramatic High Court action against his former co-scriptwriter and one-time best friend, Rob Grant.

The claim also names Grant Naylor Productions, the company which he and Grant established 30 years ago ‘to exploit their services as scriptwriters’.

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G&TV: Craig Charles on All Star Squares (1999) featured image

Welcome to Season 2 of G&TV, our monthly trawl through the world's television archives for any interesting Red Dwarf-related nuggets. Following our accidental break, we return with an exciting adventure in internet archaeology.

Thanks to his ubiquity on our screens at certain points during the 90s, a large number of the videos we come across involve Craig Charles popping up in unexpected places, either as the host of a one-off programme, or a guest on an established show. This month, we bring you the latter, but in an unexpected twist, it's the short-lived Australian version of a much-travelled format.

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The G&T Review of the Year 2020 featured image

What a very strange year. It seems to have lasted for several millennia, but 2020 is finally over, pending any last minute shenanigans, which we can't entirely rule out. By now you'll have already read a dozen depressing round-ups cataloguing what a horrible anus it's been for the world at large, so let's focus instead on our small corner of it. The trials and tribulations of Red Dwarf may seem insignificant in comparison to the fucking atrocious circumstances we find ourselves in, but it feels more important than ever to find distractions and positives wherever we can, and it's actually been a pretty busy year for a show that's rapidly approaching its mid-thirties.

Let's go through some of the highlights, and inevitably some massive lowlights, topic-by-topic, starting with The Promised Land, which yes, really was only this year.

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We bring you news of an excellent thing. Kris Carter, who’s been a regular fixture here for as long as I can remember, and one of my favourite creative people in Red Dwarf fandom ever since I first saw his comic strips in Fan Club magazine Better Than Life over twenty years ago, has launched a fanzine. Drive Room takes a look at each episode in as much depth as you’d possibly need, starting unsurprisingly with The End, covering the plot, guest stars, behind the scenes details, adaptations, visual effects and publicity photos, along with profiles on both Chris Barrie and Arnold Rimmer. Lovingly adorned with cover art from Kriss’s fair hand and beautifully laid out, issue one is available to download from Chris’s blog now, and best of all – it’s free.

It can’t have escaped your attention that we’ve been rather slack with the written content since The Promised Land, so it’s brilliant that Khris has stepped up to the plate and delivered something even more meticulous and in-depth than we usually manage. And how wonderful that Red Dwarf is still inspiring new and original fan endeavours after nearly 33 years.