I can’t wait to see the angry middle aged one who swears creatively, the harangued older one who doesn’t do much but gets dragged along, the naive younger one who doesn’t have a personality but usually connects the subplots at the end, and two tutting women with no funny lines to say who are just Dorothy and Deborah from Men Behaving Badly but power-dressed. With starfields behind the windows.
Not watched Veep, so I don’t know how Armando’s Americanization’s gone. He’s the only writer for this listed on reliable old Wikipedia, so I don’t know if he’ll be delegating or not. Starts in January, definitely worth a try.
It’s a shame Capaldi’s not leading this tbh. Obviously, Hugh is more known to American audiences.
For a moment it looked like there was a huge disaster, leaving minimal crew, but Armando wouldn’t do that….?? You also just know the ‘notes’ from HBO, telling him to tap into ‘The Good Place’-type vibes, constantly kept dropping. Much like everything had to be like ‘The Office’ for a number of years.
Looks very, very good from the recent trailers I’ve been seeing. Surprising as I’m rather tired of seeing attempted satire of capitalism in a space setting, and it’s very often done terribly with all the subtlety of a claw-hammer to the groin ala The Outer Worlds (if any of you boomers have played it).
Watched the first episode last night. It’s a weird one, the whole thing felt a bit stilted and artificial. Hugh Laurie was great though, and there were a couple of very funny moments. Hopefully it’ll pick up a bit as it goes on.
I watched the first episode tonight. I wasn’t that sold on it at the start but it got better as it went on, and the second half was pretty good. I think it definitely has potential and I think the cast is already working well together.
I enjoyed it but I am also uninterested in ‘a load of cunts being cunts to each other’ as a sitcom genre so we’ll see as it goes on.
It did feel like the violence and swearing was quite tacked-on though, as though there was something more accessible and networky at its heart that had been dressed up unconvincingly in ‘adult’ clothes. There’s something jarring about its shoutiness/grimness that felt to me like they were embarrassed that they’d come up with a solidly mainstream show, panicked and jammed it awkwardly back into their comfort zone.
Its tone is definitely that same fight-or-flight, aggressively hostile thing of everything Iannucci’s done since Thick Of It. I just struggle to buy into *any* sitcom, not just this, where most of all the characters are varying degrees of school bully/sociopath/nihilist and every other line is a put-down. It’s utterly dispiriting.
It might settle down, and I’m intrigued enough by the world, cast and story to continue watching, especially as there’s a John Finnemore episode coming up. But it needs to lighten up as it is fighting itself. The best joke – the background screen with Laurie’s multilingual greetings – was its daftest. If it just relaxes out of that angsty Thick Of It default it’ll work.