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  • Ben Paddon
    Participant

    in reply to: The avoidable problem with Red Dwarf: Back to Earth #292949
    Ben Paddon
    Participant

    I still love Back to Earth, but refuse to watch it in episodic format. It’s Director’s Cut or nuffin’ for me.

    in reply to: Who has has a Red Dwarf dream? #290172
    Ben Paddon
    Participant

    My Facebook memories have reminded me that nine years ago I had a dream in which Chris Barrie had been conned into buying $1,000 worth of diapers because he’d been told he could sell them at a significant profit.

    With everything that happened with his website of late, this dream feels much more believable now.

    Ben Paddon
    Participant

    We’re two episodes in now – you can listen on the website, see a version with captions on YouTube, or find it in your podcasting apparatus of preference.

    Episode 3 drops on Wednesday (8am Pacific, 11am Eastern, 4pm UK time) and it’s easily the best thing I’ve ever written. I really hope you all listen and/or enjoy.

    Ben Paddon
    Participant

    Yep! Each episode will be live on the website as well as podcast apps, Spotify, YouTube (with captions), and… Amazon Music, for some reason.

    Ben Paddon
    Participant

    So this is back. We made the first episode, then I had a breakdown, but over the pandemic I’ve resolved to actually do this properly. So we did. Six half-hour episodes (well, five half-hour episodes and one 40-minute episode, but it’s a podcast, so sod it). It launches in March, hopefully – one episode a week for six weeks – then I’m making six more. Here’s a trailer.

    For those of you who listened to the 2015 episode (which, in a brazen piece of revisionist history, I’m now referring to as the pilot) the first episode has been rewritten and re-recorded. I have to say, peas_and_corn’s feedback has sat in my chest like a ball of molten lead over the last god-has-it-really-been-almost-eight-years, and I’ve adjusted my performance (and some of the writing) with the assistance of our directors.
    Oh, and we have directors this time. Two, in fact! I know. I was shocked too. Episodes 1, 2 and 6 were directed by Dino Andrade of Batman: Arkham Asylum fame, while episodes, 3, 4 and 5 (as well as pick-ups for episode 2) were directed by Austin Lee Matthews, whose credits include Final Fantasy VII Remake and Pokémon Legends. They are both wonderful, supportive, delightful people to make stuff with, and they helped wring out a halfway decent performance out of me. I can’t wait for you to hear it.

    Anyway, please subscribe to this. I’m excited, I’m proud, and I’m tired. But mostly the first two.

    in reply to: Series V has two theme songs in almost every episode #269453
    Ben Paddon
    Participant

    There’s a Discord?

    Edit: Ooh, I found it.

    in reply to: What year did “The End” take place in? #264623
    Ben Paddon
    Participant

    Hollister was the 2044th fat bastard that Rimmer had met, obvs. He keeps a little notebook.

    Didn’t the Red Dwarf Plot Inconsistencies Project actually suggest this as a likely explanation?

    Personally I’d be happy with 2044 being the year Hollister was born.

    in reply to: Series X US Re-release #264622
    Ben Paddon
    Participant

    Every release of BSG Season 1 I’ve owned – and I’ve owned three from both the US and UK – has included the miniseries, starting at disc one. Am I missing something?

    in reply to: Your Unpopular Red Dwarf Opinions #262326
    Ben Paddon
    Participant

    I think The Promised Land would’ve worked better as a single-camera, no studio audience affair, to be honest.

    I also think that, as good as the sun/moonlight scene was, the dialogue was in dire need of another pass. Solid idea, wonky dialogue.

    Ben Paddon
    Participant

    If I had one gripe – and it’s a small gripe, in the grand scheme of things – it’s that the film ends suddenly. Very suddenly. But the film as a whole, I loved it. I adored the entire thing.

    in reply to: The “Programme Guide” books #261837
    Ben Paddon
    Participant

    Why in the name of God’s arse would they get angry about the smeg ups?

    in reply to: Your Unpopular Red Dwarf Opinions #261366
    Ben Paddon
    Participant

    As soon as Kryten said the words “sex change” my whole body tensed up. When he barked “LET ME FINISH” it felt like Doug saying, “Look, you’re going to be uncomfortable, but please put that discomfort to the side for a minute so we can keep doing the joke.”

    I didn’t like it. It felt awkward, dated, and I honestly wish they hadn’t done it. It took me a while to loosen up for the rest of the show. Easily the most upsetting, disappointing point of an otherwise fine special.

    in reply to: Aspect Ratios #259937
    Ben Paddon
    Participant

    Alternatively: “Yeah, the first series had such a shoestring budget they couldn’t afford to film on location in space.”

    in reply to: Aspect Ratios #259936
    Ben Paddon
    Participant

    Series 1 of Doctor Who was spectacularly low budget, they never leave Earth’s orbit once because they couldn’t afford to

    Hello! This actually isn’t true. The reason the first series sticks to Earth or Earth-adjacent stories was to ease a general audience into the premise. The idea that they somehow couldn’t afford to take a disused warehouse and pretend it’s on the planet Zog is a ridiculous one, considering they do exactly that the following year… and recycling a location they’d used for the first series, no less.

    in reply to: The John Belushi Conundrum #259365
    Ben Paddon
    Participant

    would pay to see Glenn Howerton play an American Rimmer.

    This really would be perfect.

    Ben Paddon
    Participant

    Give writers enough time and they’ll wank out an explanation. We’ve had at least half-a-dozen explanations for the Doctor being half-human (some of which state it was only for the events of the movie), and we’ve even had at least two canonical explanations for the UNIT dating controversy (the dating protocol thing from DotD, and a mention of time being sort-of badly folded in on itself from one of the Big Finish “Legacy of Time” stories).

    in reply to: Red Dwarf RPG – Potentially lost books? #258323
    Ben Paddon
    Participant

    Shock! I actually just found my Extra Bits book going through some boxes I haven’t opened since moving about a decade ago. It’s in pristine condition, and is probably the easiest of the four pieces (CRB, Sourcebook, AI screen and Extra Bits) to scan. So if I can get access to a scanner I might well be doing that.

    in reply to: Bobby & Doug Q&A #258254
    Ben Paddon
    Participant

    I think they should never repeat it, wait 2 years to release it, and then spread it over 2 VHS releases for £12.99 each. And sell it in Woolworths, so I can get some Pick ‘n’ Mix at the same time.

    Not strictly speaking super-relevant, but this reminds me of a conversation I had with someone here in the US about how they won’t watch Doctor Who on DVD or on BBC America because the only “real” way to watch it is using a set of rabbit ears to pick up a signal from the PBS station the next state over, watching it through a baffling haze of swirling static.

    As someone who grew up watching the classic series on UK Gold and VHS, it’s wild to me that there’s this entirely different, largely culturally-specific means of watching the show, let alone that it’s considered by at least one human-shaped person to be the only “authentic” way of watching.

    Anyway, I bought Red Dwarf III on DVD from GAME back when they sold DVDs, so what do I know?

    in reply to: new Doctor Who scene ahead of Day of the Doctor rewatch #258253
    Ben Paddon
    Participant

    We know, probably, that there’s 100 years between the War Doctor’s life in The Day of the Doctor and the Ninth Doctor in, at the earliest, Aliens of London. Personally, my assumption is that the Ninth Doctor moped around the universe for a century trying to figure out what to do next before ultimately realizing the answer is, of course, “be the Doctor.,” and the reason he’d never seen his reflection before that moment in Rose is because he couldn’t bare to look himself in the eye knowing what he’d done. Or what he thought he’d done, at least.

    Not that, y’know, I’ve written extensive fanfiction about it or anything.

    in reply to: Red Dwarf RPG – Potentially lost books? #258191
    Ben Paddon
    Participant

    I have physical copies of everything, but I’ve never scanned them. Honestly, I was always worried about doing damage to the books.

    That being said, my Bits and Bobs bookelt appears to have gone missing. I wonder if I misplaced it during one of my many moves?

    in reply to: Credits Framerate #257106
    Ben Paddon
    Participant

    The BBC will often run credits on feature films at 2x speed (and therefore videolook) as well though this is mostly to save time I think.

    I am reminded of a BBC Two broadcast of Suburban Commando, which ends with the credits rolling over a long pull-out shot of Christopher Lloyd driving his car on the freeway, which the BBC had sped up and, quite bafflingly, opted to replace the music with Offenbach’s Can-Can music. It’s always stuck in my memory.

    in reply to: good or near-perfect line readings? #256965
    Ben Paddon
    Participant

    “Well, it means you’ve got a more tasteful cockpit.” One of my favorite Holly jokes, one of Hattie’s best reads.

    Ben Paddon
    Participant

    Okay, I’m done. So long, everyone. It’s been fun.

    in reply to: Conservative youtuber Citizen X muses on CC/Lister's ethnicty #237305
    Ben Paddon
    Participant

    Not a fucking chance.

    in reply to: Rimmer's Uniform Colour #237176
    Ben Paddon
    Participant

    I knew the top tunic was different, but I’d forgotten entirely about the pants and boots.

    in reply to: Rimmer's Uniform Colour #237170
    Ben Paddon
    Participant

    Considering the current version of the uniform debuted in BTE almost a decade ago, is this the longest we’ve had Rimmer in one consistent uniform?

    in reply to: Hitchhikers Blu-ray – Two Editions #237126
    Ben Paddon
    Participant

    It’s not as problem with the BBC specifically, but with US Bluray standards.

    Officially, US Bluray players aren’t supposed to support 1080i50 which, given most UK content is shot at 25 or 50fps, is what they’re encoded at. Most players do support it, of course, because blocking 1080i50 content is something that has to be done at the software level so it’s easier to just let players run it. But Sony and Samsung players don’t, including the PS3 and PS4, which creates problems.

    To resolve this issue, BBC Video in the US slows their content down to 24fps, resulting in a slight reduction in speed. They also pitch-correct so it doesn’t sound like it’s been slowed down, so only people who have seen the original versions will really notice the difference. The US release of Red Dwarf X wasn’t pitch-corrected, though, so it’s incredibly noticeable. There’s also a history of BBC Video using frameblending (BTE) or changing the picture from interlaced to progressive (RD XI/XII), so the US releases are usually inferior on a technical level as well.

    BBC Video US also tends to strip out special features to reduce the number of discs – all of the Peter Capaldi sets are knocked down to 4 discs, and there’s huge swathes of content missing. As an example, IIRC, the Series 10 set omits the spatial sound mix for “Knock Knock” entirely.

    For Doctor Who season 12, however, there are additional problems. Firstly, it’s labeled as “Tom Baker Season 1”, which is accurate only in the loosest of senses. Secondly, the packaging is horrible – nowhere near as good as the UK/AUS packaging – a single slim-line pack, no sleeve, no special box, no additional trinkets or dooberies. It looks cheap and nasty. I was, in fact, given advanced warning from someone who works at the BBC not to buy the US version because of how fucking awful it is. I was going to get the UK set, but I lost my job and had to cancel my preorder.

    in reply to: Hitchhikers Blu-ray – Two Editions #237104
    Ben Paddon
    Participant

    Yeah, the American version is fucking garbage. Not to mention the ongoing framerate issue that exists with US releases of BBC shows on Bluray.

    in reply to: Ranking Kryten's Cosmetic Appearences #237103
    Ben Paddon
    Participant

    I actually really like the XI-XII Kryten costume and mask, though the ear “vents” are slightly too big for my liking. I think part of the problem, if it can so be called, is that Robert has changed shape over the last thirty years. Entirely understandable – he’s human, after all – but it does mean he’s lost the svelt look he had when Kryten looked his absolute best during IV-V.

    in reply to: Best And Worst Episode Endings #237102
    Ben Paddon
    Participant

    Quinn was referring to the remastered version of Kryten.

    in reply to: Hitchhikers Blu-ray – Two Editions #237071
    Ben Paddon
    Participant

    Still available in Oz by the way with the same UK packaging ;)

    Ah, nuts. They don’t ship to the US.

    in reply to: Cassandra #237019
    Ben Paddon
    Participant

    Why does it bother you so much?

    The “it” you’re referring to there is rape. You’re asking why rape might bother someone. You are actively asking that question, publicly, on an internet forum at least partially operated by a man with an active interest in archiving websites for as long as possible.

    This question, in all its glorious stupidity – indeed, possibly the stupidest question you’ve ever asked which, given your track record, is quite fucking impressive – will be preserved for ever.

    I hope you ruminate on that for a bit, but realistically speaking you’re already thinking about the next inane thread you’re going to post. “Would you watch Red Dwarf if all the main characters were made of cheese,” style of thing.

    Jesus fucking Christ.

    in reply to: Best And Worst Episode Endings #236957
    Ben Paddon
    Participant

    Watched “Samsara” with the flatmate last night. Blimey, that one really does plod along after Lister and the Cat get locked in the cantine, doesn’t it? Four minutes of plot stretched out over fifteen minutes. Wasn’t quite enough meat on that particular bone, was there?

    Ben Paddon
    Participant

    I’m really glad this turned into a debate about the merits of The Last Jedi. There really hasn’t been enough discussion of that movie online, and this – a thread about whether or not we’d watch an all-female Red Dwarf reboot or not – certainly seems like the best place for such a discussion to occur.

    Ben Paddon
    Participant

    Trouble with that is, we’re veering into Sequel Trilogy territory. Make it echo the older stuff, and people complain that you’re just “ripping off” what came before, but make it too different and you’re in “rabid fanbase petitions DIsney to let them remake The Last Jedi” territory.

    Personally, I like Discovery. Initially my thoughts were, “Well, this is very good, but it isn’t what I come to Star Trek for.” By the time I finished that first season and I saw what they’d been doing as a whole, I was in love. It’s easily the best first season of a Star Trek series since TOS, and it contains one of my all-time favorite Trek episodes ever. So… yeah.

    Different isn’t bad. It’s just… different. And people are inherently scared of different. It’s why people’s first instinct when they hear about something getting a remake or a reboot is to sort-of balk. It’s why some old-school fans of Doctor Who had already decided to hate the revival as far back as 2003, before they’d even shot a single frame of it. It’s why nerds are lashing out at the new ThunderCats and She-Ra cartoons despite the fact that we’ve seen virtually nothing of them. Different is scary, and so people get on the defensive about it when really there’s just as much a chance we’ll end up with a Battlestar Galactica or a Next Generation as there is we’ll end up with a Life on Mars or a Total Recall.

    FWIW, I’ve long thought a reboot of Red Dwarf – one that leans in a little to the comedy-drama tone of VII or BTE, though obviously funnier – could work. Like a comedy Galactica. Hell, I have part of a pilot script and a series bible sitting on my hard drive, because sometimes the only way to deal with a depressive bout is to sit and rework your favorite TV series into something new. I really think it could work.

    Ben Paddon
    Participant

    Controversial and objectively wrong opinion from Ben Saunders, there.

    in reply to: Best And Worst Episode Endings #236554
    Ben Paddon
    Participant

    Beyond A Joke’s ending is pretty lousy, I thought- the final Curry World scene feels like an unnecessary addition that just kills the momentum of the episode.

    Not to pick nits, but… it’s an epilogue. It’s not supposed to contribute to “momentum”. I mean, yeah, it’s a crap ending, but still.

    in reply to: What if Rob and Doug got married? #236473
    Ben Paddon
    Participant

    Aye Caramba!

    Ben Paddon
    Participant

    I used to be quite anal about the way people used the word “reboot,” until I realized it didn’t actually bloody matter – a reboot can be a revival, a remake, a ground-up reimagining of a premise. I’ve no qualms referring to modern Doctor Who or Dave era Dwarf as reboots.

    Language is fluid and words change depending upon usage. We lost the battle when the definition of “literally” got amended in the dictionary to incorporate its frequent figurative use in modern parlance. It’s over. Let it go.

    in reply to: Played any new games recently? #236429
    Ben Paddon
    Participant

    Nopw I have a USB adapter for my Amiga joystick, I suspect I’ll be playing a lot more Amiga games.

    in reply to: Idea for an episode. #236250
    Ben Paddon
    Participant

    TERRY PRATCHETT’S BOGBOTFATHER

    The Dwarfers arrive on a flat, disc-like planet currently observing a winter festival that bares a remarkable similarity to their Christmas. Only their anthropomorphic personification of that festival has gone missing – it’s up to Kryten, aided by his grumpy but affable pixie in the form of Lister, to fill his shoes.

    Ben Paddon
    Participant

    Well, the Series II Blurays would look a bit better, for starters.

    That’s basically it.

    in reply to: Complain about Series XIII #236204
    Ben Paddon
    Participant

    Did anyone else catch that lyric in “The Kryten Song (Spin My Nipple-Nuts)” alluding to a possible return of Selby, Chen, and Petersen? Maybe I’m reading too much into it, but I thought that the bit that went “and Petersen is coming back / Chen and Selby, too / anyway, it’s Kryten’s song / we wrote it to pad the episode” pointed at the possibility.

    in reply to: DVD Details Articles #236201
    Ben Paddon
    Participant

    Red Dwarf I was the very first DVD I owned – purchased before I even had a DVD player of my own – and the quantity of special feratures absolutely blew me away. Those I-VIII sets, along with the bulk of classic Doctor Who stuff, set a gold standard for me that few releases have ever been able to live up to.

    in reply to: DVD Details Articles #236130
    Ben Paddon
    Participant

    Just seems so slapdash and sloppy now, even down to the point of the Doctor Who Series 10 boxset not giving any indication whatsoever of what is on each disc, and fans having to create their own leaflet. Very sad.

    The US release has the edge there, for what feels like the first time – they continued the trend of having episode titles around the rim of the disc (careful now). I did buy the UK set though, both for the superior cover art and better picture quality, so I need to make my own leaflet too.

    Is there a leaflet on the internet that can be downloaded, or do I have to make my own?

    in reply to: Episode/s with the worst audience? #235872
    Ben Paddon
    Participant

    Oh, someone punch him out!

    Ben Paddon
    Participant

    Back in the Red, it seems.

    in reply to: Complain about Series XIII #235808
    Ben Paddon
    Participant

    That’s her day-to-day makeup. They didn’t have time to redo it before the studio taping. That’s why she looks so radically different in the location and pre-taped stuff.

    in reply to: Episode/s with the worst audience? #235807
    Ben Paddon
    Participant

    That over enthusiastic person in the audience for ‘Backwards’ who tries to start a round of applause at the “do you think Wilma’s sexy?” joke.

    My first thought when I saw this thread.

    This reminds me of a conversation I was having with a friend of mine. His name is MIke, and he absolutely detests studio-audience sitcom. He’s one of those people who says he hates hearing a live audience (he almost always calls it “canned laughter,” which in most cases it isn’t, and I’ve long since grown weary of trying to correct him), he hates “being told when to laugh.” Not an uncommon attitude among people who hate studio-audience sitcoms. But when I probed him further on this, it went further.

    I suggested, “A sitcom is like seeing a recording of a play, or a standup special. You wouldn’t hate the audience so much if you were sitting in it.”

    He countered, “Yes I would. The other audience members are the price you pay for going to see a comedian perform.”

    Which absolutely blows my mind. I’ve performed standup for an audience of thousands, and for an audience of six people, and the energy is so different. There’s an awkwardness to as smaller crowd, or a crowd who doesn’t want to be there. The energy is different. It’s why I can’t watch those Maria Bamford specials on Netflix – one is her doing her show for her parents, and the other cuts to different locations showing her doing a show one-on-one with another person. It just feels so awkward to me, I can’t stand it.

    (Which is a shame, because I love Bamford. But oh well.)

    How do you explain the benefit of an audience, recorded or otherwise, to a person who would rather have that one-on-one experience? Who thinks the other people in the audience, in an audience he’s in, are a nuisance? It shorted out something in my brain.

Viewing 50 posts - 1 through 50 (of 2,887 total)