On the 23rd February 2007 – 10 years ago to the day – Ganymede & Titan published four articles.
It perhaps seems odd to remember we used to be like this. After all, these days you’re sometimes lucky if you get four updates a month. We were a rather different beast back then. True, we still did loads of in-depth articles, but we also prized ourselves on reporting every single bit of Red Dwarf-related news going. Fun though that might have been, it’s the kind of thing that is entirely unsustainable now we have, y’know, proper jobs and stuff. We’d rather concentrate on giving you fewer, more substantial things to get your teeth into.
Still, I thought it might be fun to take a look at what we were up to exactly ten years ago today. If you’re lucky, you may just notice a few comments on one of my bugbears. But I think it’s quite subtle.
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It was always going to be difficult to keep secrets quiet when there’s a year-and-a-half gap between an audience recording and an episode being broadcast. The fans who attended those Series XII recordings have done their part admirably, with very little – if any – information leaked on forums or social media. The same can’t be said for those involved in the show, however, as we’ve previously detailed. And today, something that’s been mentioned a handful of times prior to now if you know where to look on Twitter and Facebook has finally reached a mainstream comedy website, and we feel that there’s very little point in us continuing to ignore it.
Yes, Chortle are reporting – and this is your last chance to stop reading if you don’t want to see something that you probably already know – that…
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A little under two weeks ago, the eyes of the world turned to one small corner of Twitter, where an epic battle was about to begin. Thirty-two heroes took to the stage, each one filled with nervous trepidation, but also hope; each daring to dream that this could be their year. These brave competitors were all used to being the side-show, the support act, the bit part. But for one of them, this would be their time to shine. This, ladies and gentlemen, was Ganymede & Titan’s Red Dwarf World Cup of Guest Characters, and this is how it all unfolded.
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We were shocked and saddened to hear today, via this emergency TOS article, that Charles Armitage passed away on Monday 6th February.
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You heard. Over on Twitter, there’s a format pioneered by TV’s Richard Osman – amongst many others – whereby the best thing in a certain category is determined by a series of polls, in a tournament structure roughly mirroring that of the FIFA World Cup. By this method, we’ve discovered democratically-elected favourites in the fields of crisps (Frazzles in 2012, Pickled Onion Monster Munch in 2016), chocolate (Dairy Milk), Christmas films (Home Alone) and, thanks to TOS’s Seb Patrick, movie trilogies (Toy Story). We thought it was time for Red Dwarf to get in on the action.
We considered doing it for episodes, but we figured that the 30th anniversary poll is only a year away, so instead we’re revisiting a topic that we previously covered in a High & Low article. Yes folks, @ganymedetitan is proud to host the Red Dwarf World Cup of Guest Characters, starting Sunday 5th February at round about lunchtime!
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Twenty years ago today, Red Dwarf VII debuted on BBC Two. This has made a lot of people very angry and been widely regarded as a bad move.
Red Dwarf had been away for over three years, having previously managed to average out as an annual event for six series. The delay was mainly caused by three monumental behind-the-scenes events: Chris Barrie deciding to leave the show; Craig Charles being held on remand on a charge from which he was ultimately cleared; and Grant Naylor splitting as a gestalt writing entity, leaving Doug in sole command of the show. Big changes were also afoot on-screen, with the change to single-camera, audience-free shooting, the addition of a film effect, a move to a comedy-drama format, and Rimmer’s place on Starbug being taken by Chloe Annett as a version of Kochanski from an alternate universe.
In many ways, it was twenty years ago today that Red Dwarf changed from what it was then to what it is now. The reason those first six series still exist in a bubble is that they were all made in broadly the same circumstances. The cast and crew may have altered over the years, and the production may have moved from Manchester to Shepperton, but these changes took place slowly and naturally; to paraphrase another comedy that debuted in 1997, it was evolution, not revolution. With Series VII, that changed – a conscious effort was made to make things different from the previous series, and it was against a backdrop of production problems and uneasy compromises. Red Dwarf lost its momentum, and it’s been fighting to get it back ever since. It’s only now that it’s starting to feel more smooth and assured; Series XII will be the first time in years that there hasn’t been a raft of changes since the previous series, and that’s only because they were shot back-to-back.
Opinion remains mixed on the merits of Series VII. The G&T staff are pretty unanimous in our disapproval, but elsewhere there are plenty of fans who enjoy it for what it is, regardless of how different it is from what came before, and even some who hold it in the same regard as the first six series. Regardless of your position, what’s interesting is how it came together, and the developments that took place prior to the episodes reaching the screen. To help with the extra workload caused by Rob’s departure, and the series containing two more episodes than usual, Doug brought additional writers on board for six of the eight initially-planned episodes. How this process worked has always been a great source of speculation, and to celebrate the twentieth anniversary of the show’s first big comeback, that’s what we’re investigating today.
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Fans of Gogglebox, the popular television programme in which cameras capture the reactions of ordinary people as they watch TV, may be interested in We Have Been Watching, which is the same. Except that instead of ordinary people, this UKTV Original features comedians and sitcom stars, and their viewing material consists of classic comedy clips, old and new. The show started with a Christmas special late last year, and has since embarked on a full series, which is currently airing on Wednesday nights. Among the regulars are two elderly gentlemen named Craig Charles and Robert Llewellyn – truly the Bill & Josef of the cast.
Anyway, each episode tends to feature at least one of the regulars watching the show that they’re best known for, and according to this tweet from Gold, tonight’s the night for Red Dwarf. No official word on which episode they’ll be watching, but if it’s from Series X or XI, this is probably the closest we’ll get to a cast commentary. So we’ll be tuning in tonight at 8pm on Gold, and if you’re doing so too, then this is the place for your comments.
“Now on Dave, it’s time to sit back and relax this Bank Holiday Monday, as we bring you an afternoon in the company of the finest smegheads out there – with the complete series of Red Dwarf XI.”
– Dave continuity announcement into Twentica, 2nd January 2017
Most people, when greeted with a continuity announcement like that, might think: “Oh, that’s good, I get to half-watch all of Red Dwarf XI this afternoon whilst pretending to get some work done.” Or perhaps: “I hate Red Dwarf, Red Dwarf is shit, I am going to turn over, I need to watch anything other than Red Dwarf because I don’t like Red Dwarf.”
Us? We clap our hands in delight, as we indulge in one of our favourite pastimes: pre-watershed Red Dwarf edit spotting. Although perhaps to our surprise, only two of the six episodes had any alterations whatsoever: Twentica, Officer Rimmer, Krysis and Can of Worms got away cut-free.
Let’s take a look at what was changed…
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A few days ago the ever reliable GameDigits delivered to us a fine Christmas present in the shape of their Give & Take update for Red Dwarf XI: The Game. It has ended up being an incredibly pleasant way to close out a year that’s been stuffed full of Red Dwarf activity and so I have once again recorded my first playthrough of the entire episode, along with my own brand of unfocused and unprofessional commentary.
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