The G&T Review of the Year 2025 featured image

As the New Year starts to be rung in throughout the world, it can only mean one thing - an obligatory Ganymede & Titan Review of the Year. But in a break from recent traditions, this year's retrospective covers a period of relatively high activity for Red Dwarf. Not all of the news has been good. In fact, much of it has been downright awful. But nevertheless, 2025 will go certainly go down in a history as a year in which Some Things Happened. So let's take a moment to look back and reflect on those Things, as well as our own mediocre output that filled the gaps between Things.

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Red Dwarf: The BBC TV Soundtracks Review featured image

We find ourselves in a new phase of the relationship between Red Dwarf and the BBC. In 1988-1999 they were happily married, in 2000-2007 they were going through divorce proceedings, and in 2008-2020 they were amicable but distant exes. Then in 2023 they must have bumped into each other at a bar, got deep into conversation over one too many Long Island iced teas, and woken up in the same Travelodge bed. Since then Red Dwarf has been eager to re-commit to the partnership, but the BBC have only been interested in hooking up every now and then to relive memories of better times. 

This new phase has yet to bring us any new episodes, but it has brought us new re-releases. First every canonical episode came to BBC iPlayer, then Series 1-IV were repeated on BBC Two, then we got the ‘Complete Series I-XIII’ Blu-ray box set, and now BBC Audio have brought us this: audio-only, digital-only releases of Series 1-VIII. Whether there’s any hope of ever moving back in together is unclear, but in the meantime, is the sex any good? Tortuous Metaphor mode cancel.

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Do you believe in miracles, you sexy thing? Because, like George McIntyre, Arnold Rimmer and your man Jesus H. Christ, reddwarf.co.uk has returned from the dead. Three and a bit years since it was mothballedRed Dwarf finally has an official online presence once more. I doubt it will be quite the same as before – I’m not anticipating weekly updates come rain or shine, like the good old days – but this is very much a positive move. It means that once again there’s a proper place to give us reliable news on forthcoming releases and behind the scenes developments, rather than having to hope a fan spots something in the wild, or spending our time debunking tabloid rumours. We imagine updates will be ad hoc from now on, but it’s just lovely to have the old girl back up and running.

The catalyst for the site rising from the dead is presumably the impending release of Sin Bin Island, which is the main new update. It’s out on Thursday week, and Doug will be marking the occasion with a Reddit AMA this Saturday 6th, and a launch party at Waterstone’s Piccadilly on September 16th, at which we’re promised that at least one Red Dwarf cast member will be in attendance. The front page of the site also has a new intro, which mentions the upcoming boxset, soundtrack release (which it confusingly refers to as “Red Dwarf Audible Collection“, when it’s not exclusive to Audible) and official convention. Somewhat optimistically, it describes the boxset as containing all the shows “so far”. While we’re on the subject, the listings have updated with a new image that reveals a little more about what to expect. On the right, you can see what looks like a fairly hefty booklet, which is a promising sign. But oof, it’s frustrating that the first folder of discs contains Series 1-VII and Just The Smegs, while Series VIII is in the second set. It’s undoubtedly due to needing an even split of discs across the two, but it would be so much more satisfying to swap JTS and VIII around.

But anyway, welcome back TOS! If I were to be picky (and this is G&T, so I am), I’d say the sidebar could do with a refresh – you can’t currently watch The Promised Land on UKTV Play, signing up for the Quarantine Commentaries is probably not worth it these days, and you probably don’t want to be flogging your old boxset when the new one is out in just over a month. Also, technically there are a few updates that have been removed from the site in this relaunch. Two of which were the announcements of the site’s downtime and its return in archival form, but more significantly we’re now missing the statement that confirmed the legal kerfuffle had come to an end. So we’ll continue to maintain our own unofficial archive for the timebeing, and keep hoping beyond hope that the missing bits of older content are restored to the main site at some point.

DwarfCast 177 - Wafflemen Special #5 featured image
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The Least Used Scrotum in London

After an enforced absence where it proved impossible to find an afternoon where all three of us were available and awake, we are back in your ears with a brand new DwarfCast! There was a lot to catch up on, including the new Bluray boxset, Doug's debut children's novel and the forthcoming audiobook releases of the TV soundtracks. Join us for a big old news round up, supplemented by a fresh stack of waffles, provided to us by you, the faithful listener/reader. Does Red Dwarf have a future on TV? What would feature in a modern day Smegazine? Are there any dream DVD extras that haven't yet been made? What's the best Best of the Beatles album? All this and more in our latest Wafflemen Special.

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As is now traditional in the post-TOS world, we have once again learned of a new Red Dwarf product via the medium of someone from the G&T community happening to spot it for sale somewhere. In this case, it was Si who alerted us to an audiobook release of the television soundtracks of Series 1-VIII. As someone who used to balance a tape recorder in front of the TV so that I could listen to my favourite episodes on my Walkman on the rare occasions I was forced to leave the house, I can definitely see the appeal. Whether it's strictly a necessary purchase in an era when you can listen to the soundtrack to any episode, with bonus accompanying pictures, simply by opening up iPlayer on your phone, is another matter.

The artwork is pretty neat, certainly more appealing than the forthcoming Bluray set. I always shudder when I see the cut-off-W-and-A version of the logo, but putting that aside, the background looks nice, the layout is optimal, and the chopped up publicity photos used are both from the correct era. It's potentially a little jarring to have Rob Grant's name up the top on the second set, when he actually wrote less than half of the episodes contained, but the alternative of including caveats and potentially having to name all the Series VII writers is much too convoluted.

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